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Projections:
The Journal for Movies and Mind
WINNER OF THE 2008 AAP/PSP PROSE AWARD
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Table of Contents
V O L U M E 4, I S S U E 1, S U M M E R 2 0 10
Interview
LARS VON TRIER ON ANTICHRIST
Articles
UNDERSTANDING CHARACTERS
Jens Eder
SOUNDTRACK IN MIND
Edward
Branigan
NESTED IDEATION IN BRYAN BARBER’S IDLEWILD
John J. Hartman, Kim
Vaz, and Lycia Alexander-Guerra
Review Essay
COGNITIVISM GOES TO THE MOVIES: Paisley Livingston and Carl Plantinga (eds.), THE ROUTLEDGE COMPANION TO PHILOSOPHY AND FILM; Carl Plantinga, MOVING VIEWERS: AMERICAN FILM AND THE SPECTATOR’S EXPERIENCE; Torben Grodal, EMBODIED VISIONS: EVOLUTION, EMOTION, CULTURE, AND FILM
Robert
Sinnerbrink
Book Reviews
Norman Holland, LITERATURE AND THE BRAIN
Kay Young
Stephen Weissman, CHAPLIN: A LIFE
Leon Levin
Vicky Lebeau, CHILDHOOD AND CINEMA
Bonnie S. Kaufman
Patrick Colm Hogan, UNDERSTANDING INDIAN MOVIES: CULTURE, COGNITION, AND CINEMATIC IMAGINATION
Richard Allen
Esther Rashkin, UNSPEAKABLE SECRETS AND THE PSYCHOANALYSIS OF CULTURE
David Marriott
András Bálint Kovács, SCREENING MODERNISM: EUROPEAN ART CINEMA
Hubert L. Cohen
Table of Contents
VOLUME 3 . NUMBER 2
HINDI
CINEMA
A Special Issue
Guest Edited by Patrick Colm Hogan and Lalita Pandit Hogan
INTRODUCTION: Hindi Cinema as a Challenge to Film Theory and Criticism
Patrick Colm
Hogan
Articles
FANTASY, REALISM, AND OTHER MIXED DELIGHTS: What Have Film Analysts Seen in Popular Indian Cinema?
Sara Dickey
PAKEEZAH: Dreamscape of Desire
Richard Allen
and Ira Bhaskar
“PUT YOUR HANDS UP AND SING . . .”: Cross-Cultural Film Reception and Fandom
Hannah Birr
HUM AAPKE HAIN KOUN . . . !: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
Alexandra Schneider
ON THE MEANING OF STYLE: Cognition, Culture, and Visual Technique in Bimal Roy’s Sujata
Patrick Colm
Hogan
BODY MOVEMENTS AND AUDIENCE EMOTION IN MIRA NAIR’S FILMIC BOMBAY
Frederick Luis
Aldama
COLOR AND ARTEFACT EMOTION IN ALTERNATIVE CINEMA: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
Lalita Pandit
Hogan
Book Review
Stephen Alter, FANTASIES OF A BOLLYWOOD LOVE THIEF: INSIDE THE WORLD OF INDIAN MOVIEMAKING, and Ranjani Mazumdar, BOMBAY CINEMA: AN ARCHIVE OF THE CITY
by Rini Cobbey
Table of Contents
Volume 3, Issue 1
Articles
“Sick Eros’: The Sexual Politics of Antonioni´s Trilogy
Frank P. Tomasulo and Jason Grant McKahan
Spatial Representation in Cognitive Science and Film
Daniel T. Levin and Caryn Wang
Psychoanalysis, Cinema, History: Personal and National Loss in René Clément´s Forbidden Games
Esther Rashkin
Blendings of Real, Fictional, and Other Imaginary People
Henry Bacon
Book Symposium
Comments on Tom Wartenberg´s Thinking on Screen: Film as Philosophy
Cynthia Freeland
Philosophy In/Of/As/And Film: Thomas Wartenberg´s Thinking on Screen: Film as Philosophy
Richard Eldridge
Response to My "Critics"
Thomas Wartenberg
Table of Contents
Volume 2, Issue 2
Articles
An interview with Mike Leigh
Mike Leigh
Andrea Sabbadini
Enslaving Central Executives:
Towards A Brain Theory of Cinema
Yadin Dudai
Frankenstein, Dracula,
and the Workings of Genre
Eric Rabkin
Feelings in Conflict: A Clockwork
Orange and the Explanation of Audiovisual Emotions
Jens Eders
Emotions in Sound: Audiovisual
Metaphors in the Sound Design of Narrative Films
Kathrin Fahlenbrach
Reviews
D. N. Rodowick, THE VIRTUAL
LIFE OF CINEMA
By Michael Goddard
Anne Friedberg,
THE VIRTUAL WINDOW: FROM ALBERTI TO MICROSOFT
By Carl Plantinga
Sean Cubitt,
THE CINEMA EFFECT
By Charles Eldsvik
Table of Contents
Volume 2, Issue 1
Articles
Neurocinematics: the Neuroscience
of Film
Uri Hasson, Ohad
Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, David J.
Heeger
The Perverse Cosmos of
Being John Malkovich: Forms and Transformations of Narcissism in a Celebrity
Culture
Lissa Weinstein
and Banu Seckin
Meta-Emotion: How Films
and Music Videos Communicate Emotions About Emotions
Anne Bartsch
What Difference Does it
Make? Science, Sentiment, and Film
Murray Smith
From Despair to Wonder:
Scenes of Transcendence in Indian Cinema
Lalita Pandit
Reviews
Laura Mulvey. DEATH 24
X A SECOND: STILLNESS AND THE MOVING IMAGE.
By Vivian Sobchack
Birgitta Steene, INGMAR
BERGMAN: A REFERENCE GUIDE
By Paisley Livingston
Andrew M. Gordon. EMPIRE
OF DREAMS: THE SCIENCE FICTION AND FANTASY FILMS OF STEVEN SPIELBERG
By Bernard Roth
Table of Contents
Volume 1, Issue 2
The Camera as a Container:
Jonathan Caouette's Tarnation
Adrienne Harris
An Interview with Jonathan
Caouette
Jonathan Caouette
Laurence Hegarty
Strange Contracts: Elfriede
Jelinek and Michael Haneke
Vicky Lebeau
Emotion Capture: Affect
in Digital Film
Steven Shaviro
The Segmenting Spectator:
Documentary Structure and The Aristocrats
Greg M. Smith
Reviews
Sophie Fiennes (dir.),
Slavoj Zizek (writer and perf.), THE PERVERT'S GUIDE TO CINEMA
By Krin Gabbard
Daniel Frampton, FILMOSOPHY
By Robert Sinnerbrink
Vivian Sobchack, CARNAL
THOUGHTS: EMBODIMENT AND MOVING IMAGE CULTURE
By Catherine Zimmer
Table of Contents
Volume 1, Issue 1
Film Studies and
the New Science
Ira Konigsberg
On Affect,
Motion and Nonverbal Art: A Case and a Theory
Gilbert J.
Rose
Sensorimotor
Projection, Violations of Continuity, And Emotion in the Experience of
Film
Patrick Colm Hogan
The
Neuroscience of Metafilm
Norman N. Holland
Attachment,
Trauma and the Vicissitudes of Love: Circularity in Julio Medem's
Lovers of the Arctic Circle
Silvia M.
Bell
Pain,
Sadness, Aggression and Joy: An Evolutionary Approach to Film
Emotions
Torben Grodal
Reviews
Mark Turner
(ed.), THE ARTFUL MIND: COGNITIVE SCIENCE AND THE RIDDLE OF HUMAN
CREATIVITY
By Carl Plantinga
Mary A.
Peterson, Barbara Gillam and H.A. Sedgwick (eds.), JULIAN HOCHBERG ON THE
PERCEPTION OF PICTURES, FILMS AND THE WORLD
By Jeffrey M.
Zacks
Glen Gabard
(ed.) PSYCHOANALYSIS AND FILM, and Andrea Sabbadini (ed.), THE COUCH AND
THE SILVER SCREEN
By Bonnie Kaufman